The Pulper

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Totally new respect for Sly

2010-05-24T21:36:00.000-05:00

All right, i'm going, i'm going

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just laughs

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"He said that people knew many different kinds of stars or thought they knew many different kinds of stars. He talked about the stars you see at night, say when you're driving from Des Moines to Lincoln on route 80 and the car breaks down, the way they do, maybe it's a flat tire, and you get out and get the jack and the spare tire out of the trunk and change the tire, maybe half an hour, at most, and when you're done you look up and see the sky full of stars...."

I'll ruin your name! You bastards fuck up my system!

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I want my money back

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Grigori Yakovlevich Perelman, sometimes known as Grisha Perelman, is a Russian mathematician who has made landmark contributions to Riemannian geometry and geometric topology. In particular, he proved Thurston's geometrization conjecture. This solves in the affirmative the famous Poincaré conjecture, posed in 1904 and regarded as one of the most important and difficult open problems in mathematics until it was solved.
In August 2006, Perelman was awarded the Fields Medal[1] for "his contributions to geometry and his revolutionary insights into the analytical and geometric structure of the Ricci flow". Perelman declined to accept the award or to appear at the congress. On 22 December 2006, the journal Science recognized Perelman's proof of the Poincaré conjecture as the scientific "Breakthrough of the Year", the first such recognition in the area of mathematics. He has since ceased working on mathematics.

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elimae.com march issue. i'm there.

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http://www.youtube.com/watch?v=jOVq_UL48o0

2010-01-26T15:12:00.001-06:00

Do you even believe that? Do you even believe there's a reason to be won?

2010-01-25T02:44:00.001-06:00

Do you even believe that? Do you even believe there's a reason to be won?

Love this part. damn, uncle bill.

2010-01-19T16:24:00.000-06:00

yes

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best movie

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Hey i was published.

2010-01-11T15:54:00.000-06:00

go to elimae.com and check it out. yes, you three people that read this blog.

Ann DeWitt........Goddamn

2010-01-11T15:38:00.001-06:00

“Beware. Attack Dog Training” -- announces the sign across from the Inn where we are staying. Next to the sign, there is a number to call. This, to me, means: 1.) call this number to buy an attack dog or 2.) to be attacked by live dogs, ring here.

The sign has been spray-painted on a large black tarp in big silver letters. The tarp hangs from a barbwire fence which surrounds an abandoned, old compound.

When we arrive, the dogs inside the compound are barking, the whole pack of them.

That night, when they feed, I can hear the crunch of bone. I try to anticipate the moment the trainers drop the live meat into the pen, the wave of bodies, the single high pitched yelp.

Inside, you say the Inn looks like a womb. The walls of the living room are a placenta-like rose. The dining room, ultramarine.

The proprietor is an artist. She lives on this island. The Inn is a combination studio and home.

The light over the mahogany table in the foyer consists of a single exposed bulb surrounded by a wire fixture. The wire is a warm copper and has been shaped to look like: 1.) a conch or 2.) the female organ.

We stare at the light from all angles and still can not decide.

The significance of the female form, you point out, running your hand across the fixture’s copper curvature, has been depicted imperfectly by many artists.

You point to the light and mouth to me, Origin of the world.

The next day at the beach, there is a handsome man carrying a small pit bull. The dog is just a puppy.

“How old?” I ask, stroking the puppy, when the man carries him up to the Oceanside bar and sits down next to me.

“Old enough,” the man says, laughing.

From his seat at the bar, the dog licks my finger, nibbling gently at the tip.

On the drive home from the beach, I take pictures out the passenger-side window.

Travel, we agree, is like painting -- it’s all about careful looking.

My favorite picture is a close-up of a sign which reads, “Protect ya tings.” The sign is an advertisement for AIDS awareness which is posted on the side of the Apostolic Church, fuchsia pink.

That night, you trace the tan lines on my body.

Close your eyes, you say. Guess what word I’m drawing.

In my mind, I say, “Beware.”

The next morning, over breakfast, I ask the artist about influence.

“Matisse,” she says, pointing to the placenta colored walls of the living room. “His, Large Red Interior.”

“Yes,” you say (you have studied this). “The importance of the window. The intransigence of inside and out.”

You turn and look at me, my profile outlined in the window. For a moment, the red walls begin to recede and my image is thrown into relief.

The artist pushes her chair out from the table and walks over to you, to your perspective.

“How old?” she asks, stroking my face like a canvas, doing the looking.

“Old enough,” you say laughing.

Through the barking, I try to recall the digits in my head

2010-01-10T05:40:00.001-06:00

I hope this homeless man makes a ton of money. Great cover of Radiohead.

2009-12-15T23:31:00.000-06:00

Mustard sings Creep from Rex Kramer on Vimeo.

Yeah, that's a lion in the sidecar.

2009-12-02T20:08:00.000-06:00

never read him but i want to

2009-11-24T13:22:00.000-06:00

if this picture is any indication of the poetry this man wrote, i would like to read him. Vladimir Mayakovsky

Nickelback remix...um yes.

2009-11-23T15:39:00.001-06:00